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Korean Myth ³ª´Â ¿©¼ºÀÇ ¾Æ¸§´Ù¿òÀ» Å׸¶·Î 80³â ÃʺÎÅÍ ´©µå¸¦ Âï¾î¿Ô´Ù. ³»°¡ óÀ½ ¿©¼ºÀÇ ´©µå¸¦ Âï±â ½ÃÀÛÇÑ °ÍÀº ¾Æ¸¶ <±×¸®¿ò>°°Àº °Í ¶§¹®ÀÏ °ÍÀÌ´Ù. »çÃá±â ¼Ò³âÀÌ »ó»óÇÏ´Â ¿©Ã¼¿¡ ´ëÇÑ ½Åºñ, ±×·¯ÇÑ °ÍÀÌ ±×¸®¿òÀÇ °¨Á¤À¸·Î ¹Ù²î¸é¼ <ȯ»ó>°°Àº °ÍÀ» ¶°¿Ã¸®°Ô ÇÏ´Â °ÍÀÌ´Ù. ³ªÀÇ ´©µå"Korean Myth"½Ã¸®Áî´Â ±×·¯ÇÑ ±×¸®¿òÀÇ ½ÉÁ¤À» ºô¾î ¿©ÀÎÀÇ ³»¸éÀûÀÎ ¾Æ¸§´Ù¿ò, Àγ», ½½ÇÄ, ¾Ö·ÎƼ½ÃÁò µîÀ» ºÎ°¢½ÃŲ °ÍÀÌ´Ù. I Have been taking nude photos with the theme of 'the beauty of women' since the early 1980s. The reason that I first started taking nude photos of women was probably something like 'longing'. Feelings sych as the mystery of a woman's body that an adolescent boy imagined turned th 'longing', which reminded me of 'fantasy'. My series of nude photos, 'Korean Myth', highlighted the inner beauty of women; patience, grief and eroticism, with such a feeling of 'longing'. / ÀÌÀç±æ (Jae Gil Lee) |